
I picked up tickets tonight to see Prince's new protege, Andy Allo at the Howard Theater in Washington, DC on this coming Monday night. It's a release party for her sophomore album, and if I were a betting man I'd put money on Prince showing up at some point. This is going to be a double treat for me because Monday nights are official "Wind Me Up Chuck" nights at The Howard. The Chuck Brown Band performs there every Monday night. They will more than likely open and then play along with Andy Allo's band at some point. It will be bittersweet, because it will be the first time I've seen the band without the man himself.
The legend. The icon. The luminary. The guru. The Godfather.
(crowd) "Chuck Baby don't give a....."
(Chuck) "Yes I do! I love ALL of you!"
And indeed he did.
For decades, If you were in Washington, DC and overheard someone say, "I'm going to see Chuck" and replied "Chuck who?", everyone within earshot knew that 1) you weren't from DC or 2) you hadn't lived there for any significant amount of time. In DC, there is, was and always will be only one person unquestionably recognized by the single moniker "Chuck".
Chuck Brown passed of complications due to pneumonia in May of this year. For those of you not from Chocolate City or it's Vanilla suburbs (Maryland, Northern Virginia), it's hard to give you perspective on just how important Chuck Brown was/is to The DMV. If you grew up in this area within the last 40 years, Chuck Brown inadvertently had a hand in raising you; at the very least he was an important part in the soundtrack of your life on some level. I dare say that for all of the political power that resides here, all of the people who steer the course of the country and even the world, few if any have the love and respect that was eagerly and freely given to The Godfather.
The Godfather of Go Go, Chuck Brown has been the reigning, sovereign monarch of DC's Go Go music scene and to a lesser degree it's entire music culture footprint. The musical pulse of this city was literally his invention. In the late 60's/early 70's Chuck began to notice that he was losing gigs to DJ's who played one record after the next with no break or silence between songs. So Chuck began instructing, rehearsing and conducting his band to seamlessly segue from one song to the next, not stopping the groove and linking each song with a constant syncopated beat. This would allow the audience to continue dancing uninterrupted by breaks in the music just like a DJ, but with the added excitement of a live band and all the elements that come with it. Most notably for Go Go, some distinguishing characteristics are the call and response participation with the audience (rooted in the African tradition of historically Black church music), distinctive and prominent percussion (congas, timbales, roto-toms, etc) with strong Latin/African influences. and often a horn section. Go Go is also distinguished by the interactive participation of the audience and it's extended percussive breaks that take control of your body and set up the segue to the next song.
Chuck Brown began his musical career playing behind Jerry Butler, later playing with Los Latinos in the mid-60's. It wasn't long before he was heading his own band The Soul Searchers and became not only a staple of the DC music scene, but it's greatest musical ambassador and potentate. Inspiring and influencing other great local bands including but not limited to Rare Essence, Experience Unlimited, Trouble Funk, Reds & the Boys, Little Benny & the Masters, and Ayre Ray'd. Chuck's unique groove spawned countless other bands that added their own flavor to the spicy musical gumbo that ultimately came to be known as Go Go music.

Look at the crowd. What other 75 year old ever pulled and completely rocked an audience this youthful?
Never really a recorded commercial success much outside of it's DC base, Go Go has generated a few notable nationwide hits. The genre's breakthrough hit was Chuck Brown's own "Bustin' Loose" in '79 (though some could argue that it was Eddie Kendricks' "Keep On Truckin' " in '73. This song shows strong Go Go elements and groove. Kendricks' touring band at the time of it's recording was from DC and often played on the same bill as The Soul Searchers). A few years later Brown charted again with "We Need Some Money". Rapper Curtis Blow had a hit with "I'm Chillin", a song in which he rapped over Trouble Funk's soul invading groove, and Doug E Fresh set dance floors on fire with the Go Go flavored "I'm Gettin' Ready". Experience Unlimited scored twice; collaborating with Salt n Pepa on "Shake Your Thang" and of course "Da Butt" from the soundtrack to Spike Lee's movie "School Daze", which was actually written by Sanborn/Vandross collaborator and bassist extraordinaire Marcus Miller (Miller worked with Chuck most recently on the Grammy nominated Jill Scott duet "Love"). Also, there are several songs that sample Go Go songs (most notably Nellie's "Bustin' Loose" extrapolation "Hot in Here") including the drum break from one of Chuck's legendary early efforts, "We The People". Other than those examples, Go Go has remained mostly a regional attraction (The Carolina's, Philly and New York notwithstanding).
One reason for this is the almost impossible task of capturing the unique energy of a live Go Go concert. It simply does not translate well to the recorded medium probably because of the interactive component. Anyone who has been to a Go Go concert can tell you that experienced live you don't just hear Go Go, you participate in it. You FEEL it permeating your marrow; manifesting itself in the physical rhythmic movement of your flesh. It transforms even the most challenged of dancers into accomplished rug cutters as the infectious groove snatches their bodies.
For all of the great Go Go bands that this city has produced over the years, none were able to bring what Chuck did to the stage. He had an incredible voice - a baritone as beautiful as it was powerful and full of character. Deep and syrupy, I've always likened Chuck's singing inflection and vernacular to that of the coolest, most socially conscious pimp/preacher one could ever hear. He was musically versed and a student of many genre's. This revealed itself in many of his performances and recordings, most notably for me the ridiculously funky Go Go interpretations of "Moody's Mood" and "Merry Christmas Baby", the latter being a favorite of my mother's at Christmas time. At his core though, Chuck was a Blues man. His Southern roots (North Carolina) and time behind bars (for petty crimes as a youth) ensured that he sang it with authenticity, and strangled it out through his guitar with authority.
My one and only conversation with Chuck occured a few years ago when I ran into him at a Starbucks in Laural, MD. He was standing in line in front of me waiting to order. Chuck's notoriety and distinct style made it almost impossible for it to have been anyone else - the belt buckle, the hat, sunglasses and hair gave him away. As he ordered his vente' Caramel Machiatto, I interrupted saying, "Add The Godfather's drink to my bill." and placed my order. He graciously thanked me and asked my name. After receiving our drinks he invited me to sit down with him. He had a tremendous air of warmth that just rolled off of him as he spoke to me as if he had known me for years. We talked for nearly an hour about every subject that came to mind, but mostly music. One of the things that we talked about was the power of music to move people emotionally and spiritually. Chuck told me that there are some songs in his catalog that he no longer played because they conjured the wrong spirit in the audience. He told me that he could literally see the transformation from the stage - how some songs evoked a spirit of violence and others a spirit of sexuality - and how the audience acted out as a result. "It was undeniable man. It was right there in front of my face. If I didn't believe it before, I believe it now because I've watched people's whole personality change...entire crowds...but only when I played certain songs. I had to get rid of 'em man. I realized that my music was responsible for inciting this behavior in people."
I am grateful that I had the chance not only to meet Chuck but to sit down and converse with him. It truly was like sitting at the feet of a great, wise guru. I know that my experience was not one-of-a-kind. Chuck never carried himself like a celebrity and was completely accessible to any and all. He truly loved this city and ALL of his fans. Put simply, Chuck was one of us through and through. When I heard that he had cancelled concerts due to illness, I prepared myself for the worst because I knew that Chuck wouldn't cancel concerts if something wasn't seriously wrong. Still the news of his passing hit me hard. Like with my own father's passing, I couldn't imagine what it would be like without him around because he'd always been there making life enjoyable...and I know I'm not the only one who has those feelings.
For those who are students of music but unfamiliar with Chuck, do yourself a favor and pick up his albums "We The People", "Bustin' Loose", "Go Go Swing Live", "The Spirit of Christmas", "Your Game...Live at the 9:30 Club" and the unsung Jazz gem "The Other Side" a collaboration with another incomparable DC treasure, Eva Cassidy. For those who aren't students but simply lovers of music, pick up "The Best of Chuck Brown".
Finally, I leave you with one of my favorites from this great legend and icon. You play this on Christmas morning and I guarantee that Santa will come finger popping down the chimney.
http://www.youtube.com/watch?v=DB2oCsvVWe8
God bless you Chuck Brown. Lord knows you certainly blessed us.
